Toutes peintures ā l'huile d'BELLEGAMBE, Jean
ID Image Painting(From A to Z)    Details 
5015  
BELLEGAMBE, Jean, Annunciation ghg
  		 Annunciation ghg   1516-17 Oil on canvas tansferred from wood, 109 x 80 cm (central), 103 x 33 cm (side) The Hermitage, St. Petersburg
79352  
BELLEGAMBE, Jean, Portrait of Miss Ella Carmichael
  		 Portrait of Miss Ella Carmichael   1906(1906) Medium Oil on canvas cyf
5016  
BELLEGAMBE, Jean, The Le Cellier Triptych
  		 The Le Cellier Triptych   1508-09 Tempera and oil on wood Metropolitan Museum of Art, New York
88444  
BELLEGAMBE, Jean, The Le Cellier Triptych
  		 The Le Cellier Triptych   1508(1508) and 1509(1509) Medium tempera and Oil on wood cyf
29205  
BELLEGAMBE, Jean, The Miracle of Lactation
  		 The Miracle of Lactation   mk65 Oil on canvas transferred from panel 40 1/2x 13"
18867  
BELLEGAMBE, Jean, The Retable of Le Cellier
  		 The Retable of Le Cellier   inner-left panel featuring St. Bernard & Cistercian Monks, 1508-09, tempera and oil on panel, Metropolitan Museum of Art, New York.
18868  
BELLEGAMBE, Jean, The Retable of Le Cellier (triptych)
  		 The Retable of Le Cellier (triptych)   inner-right panel featuring St. Malachy O\'Morgair & Cistercian Monks, 1508-09, tempera and oil on panel, Metropolitan Museum of Art, New York
BELLEGAMBE, Jean
Flemish painter (c. 1480 - c. 1535) South Netherlandish painter and designer. His father, George Bellegambe, a cabinetmaker and musician, was a prominent citizen of Douai. Jean is first mentioned in a document of 1504, when he is referred to as a master painter, a burgher and married. His teacher is unknown, but his work bears some imprint of the art of Jan Provoost, who inherited Simon Marmion's studio. However, Bellegambe might equally have been apprenticed in Bruges or Brussels (possibly in the atelier of the Master of the Legend of St Mary Magdalen, for example), or even in Antwerp. The calm and serenity of Bellegambe's compositions, his treatment of landscape, his lightness of technique, his pursuit of clear, soft colours and delicate harmonies all indicate links with the work of Gerard David and Quinten Metsys. In the 17th century Bellegambe was known as 'the Master of Colours'.



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